Saturday, 20 December 2008

Sydney Critics Announce Nominations


The Diana Simmonds and Ian Phipps Club of Theatre Critics has put together their yearly list of nominations for the very best in Sydney's Performing Arts.

I went along to the awards ceremony last year for the first time and it was a very good night filled with a lot of good-will, humility and celebration. Indeed, the Sydney Theatre Critics' Awards are probably the most representative of any of the awards for the performing arts in Sydney.

And as Jason Blake says in the media release;
“The Sydney Theatre Awards is a chance to celebrate a year’s-worth of work, compare notes and come together as a community. That’s part of the reason we’re delighted to be back at the Paddington RSL – it’s a place where people can be a crowd rather than an audience. The drinks are way cheap, too.”

Indeed.

But don't be fooled into thinking the judges see all of the shows.

As Simmonds said about the Helpmann Awards earlier this year, "the likelihood of the nominating "judges" having seen all or even nearly all nominees in a category is virtually nil". The same of course goes for these awards so don't be dismayed if you aren't nominated

The panel of judges consists of Stagenoise blogger Simmonds along with Stephen Dunne, Bryce Hallett and John Shand from the Sydney Morning Herald, Jason Blake from the Sun Herald, Jo Litson from the Sunday Telegraph, John McCallum from The Australian, blogger and SMH reviewer James Waites and finally ABC Radio's Ian Phipps.

The list for this year's awards is a pretty narrow in scope and a little underwhelming. It's all confined within the circl between Kings Cross, Redfern and Walsh Bay with not a single production from Carriageworks nominated or even a physical theatre piece recognised.

Below is the list, with what's missing and my picks.


NOMINATIONS FOR 2008 SYDNEY THEATRE AWARDS

BEST MAINSTAGE PRODUCTION
The Great (STC)
Ngapartji Ngapartji (Company B)
The Pillowman (Company B)
The Women of Troy (STC)

What's missing?
Scorched (Company B)

SAJ Pick - Scorched (Company B)
Close Second - The Pillowman (Company B)



BEST INDEPENDENT PRODUCTION
Killer Joe (Adam Booth and B Sharp)
My Name is Rachel Corrie (Bareboards Productions and B Sharp)
Ruben Guthrie (murri fulla films & B Sharp)
Spring Awakening (The Hayloft Project and B Sharp)

What's missing?
Miss Julie (B Sharp)
Fearless N (Theatre Kantanka)
Twelfth Night (Siren Theatre Company)
The Packer (Old Fitzroy)
Salome (The Rabble)
Stoning Mary (Stablemates)
Pool (no water) (Darlinghurst Theatre Company)

SAJ Pick - Salome (The Rabble)
Close second - Miss Julie (B Sharp)



BEST DIRECTION
Craig Ilott (The Pillowman)
Barrie Kosky (The Women of Troy)
Shannon Murphy (My Name is Rachel Corrie)
Scott Rankin (Ngapartji Ngapartji)

SAJ Pick - Miss Julie (Vladislavs Nastavshevs)
Close second - Craig Ilott (The Pillowman)



BEST ACTRESS IN A LEAD ROLE
Belinda Bromilow (My Name is Rachel Corrie)
Melita Jurisic (The Women of Troy)
Robyn Nevin (The Women of Troy)
Greta Scacchi (Mary Stuart)

SAJ Pick - Yael Stone (Stoning Mary)
Close second - Melita Jurisic (Women of Troy)



BEST ACTOR IN A LEAD ROLE
Damon Herriman (The Pillowman)
Trevor Jamieson (Ngapartji Ngapartji)
Toby Schmitz (Ruben Guthrie)
Sean Taylor (Death of a Salesman)

SAJ Pick - Damon Herriman (The Pillowman)
Close second - Jay Ryan (The Packer)



BEST ACTRESS IN A SUPPORTING ROLE
Judi Farr (The Pig Iron People)
Genevieve Mooy (Queen C)
Genevieve Picot (Rock n Roll)
Yael Stone (The Kid)

SAJ Pick - Maggie Blinco (The Beauty Queen of Leenane)
Close second - Yael Stone (The Kid)



BEST ACTOR IN A SUPPORTING ROLE
Marton Csokas (The Pillowman)
Steve Rodgers (The Pillowman)
Toby Schmitz (The Great)
Christopher Stollery (Killer Joe)

SAJ Pick - Christopher Stollery (Killer Joe)
Close second - Marton Csokas (The Pillowman)



BEST NEW AUSTRALIAN WORK
Brendan Cowell (Ruben Guthrie)
Tony McNamara (The Great)
Damien Millar (The Modern International Dead)
Peter Rutherford and James Millar (The Hatpin)

SAJ Pick - Salome (The Rabble)
Close Second - Noelle Janaczewska (Fearless N)



BEST NEWCOMER
Akos Armont (The Kid)
Ivan Donato (The Age of Consent)
Ian Meadows (The Modern International Dead)
Yael Stone (The Kid + Frankenstein)

SAJ Pick - Yael Stone (The Kid, Frankenstein)
Close second - Ivan Donato (The Age of Consent)



BEST SET DESIGN
Alice Babidge and Barrie Kosky (The Women of Troy)
Fiona Crombie (The Great)
Nicholas Dare (The Pillowman)
Alexandra Sommers and Bradley Clark (All the Blood and All the Water)

SAJ Pick - Kate Davis and The Rabble (Salome)
Close Second - Kate Gaul (Twelfth Night)



BEST COSTUME DESIGN
Alexandra Sommers and Bradley Clark (Gallipoli)
Roger Kirk (My Fair Lady)
Tess Schofield (The Great)
Kate Shanahan (Queen C)

SAJ Pick - Kate Davis and The Rabble (Salome)
Close Second - Ailsa Paterson (Twelfth Night)



BEST LIGHTING DESIGN
Damien Cooper (The Great)
Paul Jackson (Moving Targets)
Nick Schlieper (The Serpent’s Teeth)
Matt Scott (Rock n Roll)

SAJ Pick - Nick Schlieper (The Serpent's Teeth)
Close second - Emma Valente (Salome)




BEST SCORE OR SOUND DESIGN
Brett Collery (Anatomy Titus Fall of Rome)
David Gilfillan (The Women of Troy)
Steve Francis and Alan John (The Great)
Max Lyandvert, Mark Blackwell and Tony Melov (The Age I’m In)

SAJ Pick - Daryl Walis (Twelfth Night)
Close second - Max Lyandvert and Eva Mueller (Salome)




BEST PRODUCTION OF A MUSICAL
Little Women (Kookaburra Musical Theatre Company)
My Fair Lady (Opera Australia)
The Phantom of the Opera (The Really Useful Company and the Gordon/Frost Organisation)
Priscilla Queen of the Desert The Musical (Back Row Productions, Specific Films, Alan Scott, John Frost and Chugg Entertainment)

SAJ Pick - My Fair Lady (Opera Australia)



JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY AN ACTRESS IN A MUSICAL
Gemma Ashley-Kaplan (The Hatpin)
Michelle Doake (The Hatpin)
Taryn Fiebig (My Fair Lady)
Kate Maree Hoolihan (Little Women)

SAJ Pick - Taryn Fiebig (My Fair Lady)



JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY AN ACTOR IN A MUSICAL
Richard E Grant (My Fair Lady)
Todd McKenney (Priscilla Queen of the Desert The Musical)
Tony Sheldon (Priscilla Queen of the Desert The Musical)
Anthony Warlow (The Phantom of the Opera)

SAJ Pick - Richard E Grant (My Fair Lady)



BEST CABARET PRODUCTION
The Fabulous Frances Faye (Nick Christo)
The Kransky Sisters (Sydney Opera House Studio)
LoveBites (White Box)
Vamp (Meow Meow at Sydney Opera House studio)

SAJ didn't see any cabaret this year.



BEST PRODUCTION FOR CHILDREN
The Arrival (Spare Parts Puppet Theatre)
Just Macbeth (Bell Shakespeare)
Special Delivery (Patch Theatre)
The Wiggles (The Wiggles)

SAJ didn't see any kids theatre this year.



LIFETIME ACHIEVEMENT AWARD
To be announced at the ceremony

10 comments:

Anonymous said...

NO children's theatre!!!

Shame on You Nicholas!

The Wiggles at the Entertainment Centre was a sublime execution of comedy/tragedy.

mrbolano

Anonymous said...

... and whether or not you've seen any cabaret or children's theatre, 'goodwill' is still one, un-hyphenated word.

Anonymous said...

Just for the record Ngapartji Ngapartji is a Big hART production not a Company B production. Cheers! Alex (creative producer, Ngapartji Ngaparjti)

Anonymous said...

I can only assume the "SAJ picks" are for nominees, not winners. Otherwise your "best actress' picks make no sense, given the competition.

Nicholas Pickard said...

I think it makes perfect sense TE. But please offer your preferred actress.

And just like the Sydney Theatre Critics panel, I didn't have the fortune of seeing every show with a lead actress last year. So on my watch Yael is the go.

Anonymous said...

I didn't mean to in any way demean the two you named--indeed I agree with Kevin Jackson that if there were a Best Newcomer award Yael should win for her remarkable body of work this year. I simply feel, and I daresay she would agree, that compared to the astonishing work by the two actresses at the apogee of their long careers that we saw in "Women of Troy" (Diana Simmonds' piece on this work was, to my mind, the most perceptive) it is unfair to compare them.

Nicholas Pickard said...

You are certainly not the only person who was quite taken with Women of Troy.

But I am certainly not the only one who was rather underwhelmed by it, despite the rave reviews.

Anonymous said...

I noticed that--in fact it would be a fascinating forum someday if you and Alison Croggon could debate the play and the production--since normally you two seem to be in agreement and yet in the case of WOT her review was an unadulterated rave and yours was tepid.

Nicholas Pickard said...

In fact, mine was non-existent.

Anonymous said...

It will be interesting to see what you think of Tom Wright's latest, "War of the Roses." Eight hours of Shakespeare...mmm...better be pretty amazing and the performances flawless as that's a big ask.