Goodness. All this hoo-haa over a song by the Chaser that was first unleashed on the public in February now gets attention nine months later. 
We are surely witnessing one of the most boring election campaigns with some of the most boring politicians in the history of this nation. Add a bored media to the mix and you get some pretty old news.
The hoo-haa surrounds the broadcast of The Eulogy Song, which as the Herald today reports "criticises the way dead celebrities were 'eulogised' by the public". Or as the song puts it - 'Even pricks turn into top blokes once they're dead'.
You know the people. The delightful Stan Zemanek, the caring and meek Kerry Packer, the softly spoken Steve Irwin and the environmentally friendly Peter Brock.
But they also throw into the mix a bit of jaw-dropping references - Donald Bradman, Princess Diana and then, not quite, Belinda Emmett.
The song was first performed at the Sydney Theatre Company in February this year and then again in July during a return season of the teams Chaser's play Dead Caesar.
Based around Shakespeare's tragedy Julius Caesar it explores the central theme of the song:
"It's not how they live that counts, but how we re-write the book. When it comes to truth it's best to use restraint. It pays to throw away the facts and have a rose coloured look."
Julius Caesar - John Howard. Marcus Brutus - Peter Costello. What's the difference?
And then for it to reach the front-page of the Herald website and Melbourne talkback today all because six viewers complained to the ABC and then was echoed by the tut-tut's from Howard and Rudd, you have probably have the beginning of what is a truly boring election.... until of course...
Et tu, Brute? Then fall, Caesar!
Thursday, 18 October 2007
You're a bit late aren't you?
Posted by Nicholas Pickard at 3:27 pm
Labels: Election 2007, General Comment, Sydney Theatre Company, Theatre
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1 comments:
Having seen Andrew Hansen perform the song a year ago during "Dead Caesar" (in its first season) and laughing along with the rest of the packed audience, it is astonishing that it has taken all this time for a few shock jocks to become aware of it. Of course the idea of John Howard, John Laws or Steve Price etc ever going to the theatre is beyond the realm of possibility. Jonesy perhaps, but only its a lavish flamboyant musical...
Good thing they never go to the Wharf Revue, where a total lack of good taste is essential and we would all be disappointed if they ever allowed any into the show.
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