Tuesday, 22 January 2008

Rudd Government bad for the arts?

There are only five days left of the Sydney Festival which I am blogging from The Daily Telegraph's website. In the meantime, here is an article as first published in Crikey.

The Australian Film Commission sent out a press release on Friday celebrating the selection of two Australian films in Berlin’s International Forum of New Cinema. It is the first time that an Australian film has been selected in the prestigious forum since 2002.

But if the Federal Government felt like using the success to advance diplomatic and international cultural awareness throughout Germany or Europe they would be hamstrung by a naïve decision made last week.

The Federal Government announced that they would eliminate Australia on the World Stage and the fund set up within the Australian International Cultural Council. Established by Alexander Downer as part of the Department of Foreign Affairs and Trade, it was allocated $20 million over a four year period. Its central focus, amongst other things, was to “showcase Australian arts and our other cultural assets to the world”.

For a Government under a new Mandarin-speaking Prime Minister, the irony is not lost. As former Cultural Counsellor to Beijing, Carillo Gantner told the Sydney Morning Herald last year that "the Chinese say, ‘Culture first, business second.'”

The second irony is that for most of the arts industry, the election of a Labor Government was marked with a huge sigh of relief. At Peter Garrett’s election night party at the Randwick Labor Club, the arts industry were out in force, with Sydney Theatre Company power couple Cate Blanchett and Andrew Upton leading the charge.

But news this week that the very first thing the new Federal Labor Government has done is to remove all the funding from the international fund paints a clear picture of how culture will be viewed by this new administration.

The question has to be asked – why are Rudd and Foreign Minister Smith eliminating something that would seem a natural fit? And what do they plan to replace it with – if anything? No details have been forthcoming.

Alexander Downer told The Australian on Tuesday, "Australia on the World Stage was never the matter of the remotest controversy. I believe they [the ALP] are philistines and they have no understanding and no desire to understand the importance of promoting culture internationally."

In fact, Prime Minister Rudd through this latest move is starting to appear more like the NSW Premier, Morris Iemma, than a proud mandarin of Australian culture. (NSW took close to $20 million from its arts budget last year and is now positioned behind every state and territory except the ACT on per capita arts spending).

By eliminating the Australia on the World Stage program, the Federal Labor Government is ignoring key recommendations from many of their traditionally loyal constituents.

A Senate Standing Committee held last year took submissions from major cultural institutions including the Australia Council for the Arts, Australian Film Commission, National Gallery of Victoria, the ABC, Australian Major Performing Arts Group and AsiaLink to make recommendations on building Australia’s image through public diplomacy.

One of the Committee’s findings was that “to ensure that Australia's public diplomacy efforts are not overshadowed in the highly contested international space, Australia must ensure that it takes advantage of opportunities to capitalise on the positive outcomes from its many public diplomacy activities”.

Removing the Australia on the World Stage fund shows that little or no interest is given by the new government to capitalise on cultural successes such as that happening in Berlin during February and it should come as no surprise to a now complacent arts industry.

Neither the Department of Foreign Affairs and Trade nor the Arts Ministry returned Crikey’s phone calls.

6 comments:

Anonymous said...

Surely your first sentence should read "there are only five days" etc etc.

Nicholas Pickard said...

Indeed... it's funny - on four hours sleep a night grammar appears to go out the window... thanks pedantus.

Anonymous said...

No probs. Oh and in case you weren't there, I thought you and your readers might enjoy reading this excerpt from Ian Darling's speech at the Nevin farewell. Lest we forget...

“A big thanks…from the 2,327,000 audience members who have experienced 7,477 of your performances.

“Thanks for the 1,310 acting roles you provided, and for the hundreds of directing/design/lighting and composition gigs you provided along the way.

“For the 45 young assistant-director roles you created...

“And for the joy you gave us in the nine times you graced the stage as an actor and the 12 productions you directed.

“Thanks from the 30,000 school kids who you have brought to the theatre every year.

“Thanks for creating the Wharf Revue.

“Thanks for supporting Australian playwrights 39 times, and for giving us 23 world premieres of Australian plays.

“Thanks for commissioning 23 writers along the way, and for the 24 newly-developed productions you created.

“Thank you for all the international ties you made, for bringing some of the world’s best productions and directors to Australia, and for taking our own world-class productions to the world.

“Thanks you for having the courage to take risks, to create an ensemble of actors, to build a new theatre.

“And thank you for cementing the STC as the finest theatre company in the land.”

Nicholas Pickard said...

Pedantus, I am aware that I was at the very top of the invite list for the farewell, but unfortunately I was unable to attend.

Thanks for passing on the enlightening speech. Lest we forget indeed.

Anonymous said...

Here's my early draft (based on something else quite archaic):

Our Robyn, who art in retirement,
Shallow be thy claim.
Thy subcribers glum,
With numb-numb bum,
In the foyers as they are in the bars.

Give us back this day our subscriber database,
And help us to discredit those who dare rail against us.

For thine is the subscriber reduction,
the boring and the ensemble,
now and forever,
Bon voyage.

Anonymous said...

Nicholas--Since the Darling quotes came from the Australian theatre Online bog of James Waites I thought perhaps you'd been a fly on wall there as well.