Tuesday, 17 June 2008
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news reviews theatre dance performance art music culture sydney australia
nicholas pickard's blog with news reviews on arts culture theatre performance dance music cinema
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About this site
This is an archived site of Sydney Arts Journo, an independent Australian arts review and commentary site written and managed by Nicholas Pickard from 2005-2009. It was one of the most read arts blog websites of the period and was a space for robust debate, policy discussions, reviews and news coverage. The archive comprises 451 published posts, including 120 performance reviews, published across 84 subject categories and attracting more than 1,500 reader comments.
Coverage spanned theatre and independent theatre, Australian playwriting, arts funding and cultural policy, censorship, arts journalism and criticism, film, musical theatre, visual arts, dance, opera and live music, including sustained coverage of the 2007 federal election and of the Sydney Theatre Company, Company B and the Sydney Festival.
"The Sydney Arts Journo blog is designed to bring praise, criticism and discussion to the performing arts and cultural industries of Sydney. It's a place to share ideas, voice concerns as well as being a forum to provoke consideration and passion."
Coverage spanned theatre and independent theatre, Australian playwriting, arts funding and cultural policy, censorship, arts journalism and criticism, film, musical theatre, visual arts, dance, opera and live music, including sustained coverage of the 2007 federal election and of the Sydney Theatre Company, Company B and the Sydney Festival.
"The Sydney Arts Journo blog is designed to bring praise, criticism and discussion to the performing arts and cultural industries of Sydney. It's a place to share ideas, voice concerns as well as being a forum to provoke consideration and passion."
Blog Categories
- A Letter from the Past (3)
- A Little Friday Music (1)
- ABC (1)
- Agents (2)
- Alternative Arts (8)
- Alternative Venues (7)
- American Plays (9)
- Article (16)
- Arts Advocacy (5)
- arts awards (13)
- Arts Funding (58)
- Arts History (5)
- Arts Journalism (50)
- Australia 2020 (6)
- Australian Plays (41)
- Ballet (4)
- Bell Shakespeare (3)
- Blogs (27)
- British Plays (20)
- Cabaret (2)
- Canadian Plays (2)
- Censorship (25)
- Circus (3)
- Comedy (4)
- Community Announcement (2)
- Company B (19)
- Dance (14)
- Digital and Media Arts (4)
- Directing (16)
- Drag (2)
- Education (1)
- Election 2007 (14)
- Environment (3)
- European Plays (11)
- Eurovision (1)
- Festivals (5)
- Film (24)
- Film Festivals (9)
- Foreign Films (3)
- Gambling (1)
- General Comment (98)
- Gherkins (1)
- Griffin Theatre (1)
- History (1)
- Independent Theatre (79)
- Indigenous Arts (4)
- International Production (17)
- Interview (1)
- Irish Plays (4)
- Literature (1)
- Live Music (15)
- Local Culture (52)
- Mardi Gras (3)
- Media (54)
- Mime (2)
- multicultural arts (11)
- Multimedia Arts (7)
- music (22)
- Musical Theatre (24)
- New Media (1)
- News (175)
- News Summary (8)
- Opera (11)
- Physical Theatre (10)
- Playwrights (21)
- Playwriting (26)
- Puppetry (2)
- Religion (5)
- Review (125)
- Sponsorship (3)
- Sport (6)
- State Government Policy (5)
- Sydney Festival (21)
- Sydney Festival Blog (5)
- Sydney Theatre Company (48)
- sydney university (1)
- Television (6)
- Tertiary Education (4)
- The Art of Twitter (1)
- Theatre (195)
- Theatre Critics (21)
- Visual Arts (25)
- Women (2)
- Youth Arts (10)
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8 comments:
"A night at the Iguana" or "The gravy-train doesn't stop here anymore" (with apologies to TW).
What about 'Slap and Dash'?
"Guess who's NOT coming to dinner?"
"Do you Know Who I AM?"
ummm...no, actually...
"Gosford Trailer Park"
The face bears an uncanny resemblance to the "Death of a Salesman" poster of Jackie Weaver, so that's the lead role set...John Wood with face prosthetic for Della?
Just imagine the internal dialogue.
And Drew Forsyth as rabbit-in-the headlights Morris Dilemma?
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